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Collection:
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Private collection, Washington, D.C., United States
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Provenance:
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André Emmerich Gallery, New York
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Exhibitions:
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(E 44): New York: André Emmerich Gallery (bw), 1962
(E 131): Washington, D.C.: Washington Gallery of Modern Art (cat. no. 2), April 1967
(E 319): Washington, D.C.: National Gallery of Art (cat. no. 16, color), 1976–77
(E 435): New York: Museum of Modern Art; Fort Worth, Texas: Fort Worth Art Museum; Washington D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (color, p. 175), 1986-1987
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References:
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(B 58): Fried 1962, p. 53
(B 61): Judd 1962, bw, p. 43
(B 177): Fried February 1967, comm., p. 40
(B 179): Gold 1967, bw, p. 4D
(B 202): Coplans 1968, bw, p. 78
(B 249): Fried 1970, color pl. 175
(B 357): Carmean 1976, comm., pp. 69–75
(B 359): Carmean, Jr., E. A, “Morris Louis and the Modern Tradition.” Arts Magazine 51 (December 1976), pp. 116–19.
(B 364): Upright [Headley] 1976, comm., pp. 69–75
(B 362): Forgey 1976, comm., pp. 103–4
(B 369): Richard 1976, bw, p. G3
(B 376): Millard 1977, comm., p. 257
(B 412): Upright 1985, color pl., p. 131, cat. no. 654, color, p.191
(B 457): Dufrene 1996, bw, p. 64
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ML number:
- ML 4-84
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