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Collection:
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Private collection, New York, United States [2012]
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Provenance:
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The artist
Clement Greenberg, New York
William Rubin, New York
M. Knoedler & Co., New York
Steven Jacobson, New York
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Exhibitions:
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(E 22): New York: Martha Jackson Gallery (cat. no. 1), 1957
(E 28): Bennington, Vermont: Bennington College (cat. no. 6, labeled Green Painting), 1960
(E 61): New York: Solomon R. Guggenheim Museum (cat. no. 2, color), 1963
(E 165): New York: Museum of Modern Art, June–October 1969
(E 267): London: Hayward Gallery (cat. no. 1, color), 1974
(E 319): Washington, D.C.: National Gallery of Art (cat. no. 1, color), 1976–77
(E 435): New York: Museum of Modern Art (color, p. 87), 1986-87
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References:
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(B 188): Michelson 1967, color, p. 143
(B 249): Fried 1970, color pl. 27
Arnason, H. H., in Britannica Encyclopedia of American Art (Chicago: 1973), color, pp. 352–53 (incorrectly labeled Saraband)
(B 323): Alloway 1974, comm., pp. 63–64, bw, p. 63
(B 332): Elsen 1974, comm., p. 11
(B 362): Forgey 1976, comm., p. 104
(B 401): Ayers 1982, bw, p. 44
(B 412): Upright 1985, color pl., p. 66, cat. no. 63, color, p.138
(B 457): Dufrene 1996, bw, p. 49
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Remarks:
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This painting has been previously reproduced and exhibited inversely relative to its illustration here. See The Practice of Morris Louis, for a discussion of this matter.
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