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Collection:
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Private collection
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Provenance:
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André Emmerich Gallery, New York
Mr. and Mrs. Eugene M. Schwartz, New York
Christie’s, New York
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Exhibitions:
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(E 84): Venice: Biennale di Venezia XXXII (color), 1964
(E 96): Austin, Texas: Huntington Art Gallery, University of Texas; Santa Barbara, California: University of California Art Gallery; Waltham, Massachusetts: Rose Art Galleries, Brandeis University; Minneapolis: Walker Art Center (cat. no. 1, color, p. 15), 1965 (exhibition originated in Washington, D.C.)
(E 121): Los Angeles County Museum of Art; Boston: Museum of Fine Arts; St. Louis, Missouri: City Art Museum (cat. no. 39, color, p. 18), 1967
(E 143): New York: Jewish Museum, 1968
(E 173): Syracuse, New York: Everson Museum of Art; Albany, New York: State University of New York Art Gallery (cat. no. 13, bw), 1969–70
(E 209): Milwaukee, Wisconsin: Milwaukee Art Center (cat. no. 11, bw), 1971
(E 360): New York: M. Knoedler & Co. (bw, p. 8), 1979
New York: Christie’s (lot 39, color), 8 May 1984
(E 435): New York: Museum of Modern Art; Fort Worth, Texas: Fort Worth Art Museum; Washington D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (color, p. 145), 1986-1987
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References:
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(B 101): Baro 1964, bw, p. 34
(B 111): Genauer 1964, bw, p. 21
(B 112): Gendel 1964, bw, p. 32
(B 123): Solomon 1964, bw, p. 18
(B 154): Stevens 1965, comm., p. G7
(B 155): Stevens 1965, color, p. 32
Washington Post, 28 June 1965, bw, p. B4
(B 249): Fried 1970, color pl. 131
Green, Eleanor, Artforum 11, no. 2 (October 1972), comm., p. 63
Hunter, Sam, and Jacobus, John, American Art of the Twentieth Century (New York: Harry N. Abrams, 1972), bw, p. 322
(B 412): Upright 1985, color pl., p. 115, cat. no. 416, color, p.171
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ML number:
- ML 3-43
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